Wednesday
Tim Walker - "Story Teller" exhibition at Somerset House
Walker’s images tell a story, they blur the boundaries between the real and the fantasy. His images are exquisite in colour and lighting and his ideas well executed. What makes Tim Walker really stand out as a photographer, is the fact he doesn’t rely on digital manipulation to create his images. Instead opting to work with a close team of very talented set designers and model makers to transform that fantasy into a reality. According to the photographer, the camera “is simply a box put between you and what you want to capture”. So the exhibition at Somerset House had a lot to live up to in my eyes, especially as I was left a little disappointed by his previous exhibition at the Design Museum back in 2008.
Wednesday night (17/10/12) saw Mulberry (the sponsor) throw the opening of the 'Story Teller' exhibition. Guests included Tim Burton and wife Helena Bonham-Carter, Kate Moss and Cara Delevingne. Guests were greeted with music by a string quartet and later on featured a live DJ set from Friendly Fires. Unfortunately I wasn’t lucky enough to get an invite but had a pleasant experience nonetheless without the paparazzi and rubbing shoulder’s with the non-famous on a crisp, cold Sunday afternoon.
As I walked into the first room, I was instantly greeted by a giant plane prop from one of his shoots with the corresponding photos surrounding it all around the walls. As all the rooms were fairly small, it made the experience a bit more personal. I much preferred this to the vast space left at the Design Museum. You could really take in the scale of the props and empathise with the models, how they must have felt in such a magical environment. Be it a swan boat, a giant wasp playing an instrument or a huge snail climbing a corner of the wall.
The exhibition was a mix of editorials, personal work, props and portraits. In construct to his outlandish editorials, the portraits are shot against a simple white background. Yet they still manage to hold on to his trademark wit and playfulness through quirky poses but slightly vacant doll–like expressions of the models.
Tim himself seems to narrate the exhibition as you follow his quotes explaining his romantic notions of imagination spiraling around the walls like snakes and ladders. I don’t think I could chose a favourite room or piece as Im such a big fan but I could chose my least favourite. It would have to be the giant doll at the end. Being one of the props that’s been talked about the most (it took 20 wigs just to make the hair), I felt the positioning of it was very awkward. It hovers over you in the corner just before the exit, with a member of Somerset House watching your every move. It feels like it’s been forgotten about and being watched made me want to leave as soon as possible. I was also slightly irritated that the credits for the images included the model, location and clothes used but not the stylist or set designer. Possibly a clever way to get you to buy the book afterwards. However those are probably my only negative comments, especially considering the exhibition is free of charge.
Do look out for a series of special events in conjunction with the exhibition from “Spotlight Tours”, which will take visitors behind the inspiration of each image, to “Exhibitions on Film” – a selection of films that fit in with Walker’s signature surrealist style. Take note of the screening of “A Matter Of Life And Death’ on Saturday 3 November – an enchanting story of an RAF pilot who cheats death, or the ultimate family classic “The Wizard of Oz” showing on Saturday 8 December.
The exhibition will also include a series of workshops for all ages offering visitors the chance to meet and learn from some of the creatives and specialists that collaborate with Walker to create his stunning images, such as “Puppet Play Time with Andy Hillman” on Saturday 1 December, where you can build a giant animated puppet.
Even though Im very familiar with his works, I was delighted to come across some photos that I haven’t seen before and the props made me feel like a kid in a giant toy store. The curators really thought about the mix of old and new and making it fun and interesting for everyone – fashion lovers, daydreamers, culture buffs or someone just looking to escape a grey and cold autumn day for a couple hours.
Swarovski presents 'Anna vs Anna' film
This video is pretty spesh and we have the same name so win win. The gorgeous clothes are from the Rodarte archives customised with crystals from Swarovki Elements.
'Anna vs. Anna' is the latest avant garde film from acclaimed director and photographer Barnaby Roper, created exclusively for Swarovski.
Staring model Anna Jagodzinska, the film showcases a selection of exquisite pieces, selected by stylist Keegan Singh.
Inspired by the supernatural, the film demonstrates two sides of Anna's character, trasporting the viewer magically from shadow to brilliant light.
The film offers a unique experience, allowing the viewer to manipulate and interact with the imagery in 360 degrees.'
To use the 360 experience click on the lick below and chose which direction to go in by hovering the mouse over the screen.

Tuesday
Barcelona Fashion Week coming up...
So Im hitting Barcelona Fashion Week at the end of this month. Unfortunately I'm missing the first few days due to prior arrangements but here's my pick of the designers I'll be missing that caught my eye with their previous collections.
ALEXIS REYNA
(SS11)
JOSEP ABRIL
(SS12)

JUAN PEDRO LOPEZ
(SS12)

DER METROPOL
(AW12)

Friday
Eternal Style
“New year, new me” is probably the phrase you hear the most in January. So in theory our style evolves every year but what will we look like 20, 30, 40 years down the line?
I’ve always been fascinated by elderly people who don’t take the safe route when it comes to growing old. Who are just as adventurous with their style in their 60's/70's/80's+ as they were in their early 20's ad 30's. People like...
CATHERINE BABA (no-one is really sure of her age but her myspace says she's 75):


VIVIENNE WESTWOOD (age 69):

ANNA PIAGGI (age 79):


IRIS APFEL (aged 90):
Im so glad that there's now a blog documenting such awesome style. Check out Advanced Style. When I get older I want to be just like these ladies.
And I'll leave you with some of my favourite shoots with slightly more mature models from Schon and Dazed and Confused magazines.

Sunday
Gucci Gucci, Louis Louis, Fendi Fendi, Prada....
...If you didn't manage to get any Versace for H&M it doesn't even matter.
Pretty sure you can get it for waay cheaper off Ebay now with no crazy o'clock queuing either. But if you're still craving a bit of Versace loving, heres some vintage campaign ads for you.






Labels:
Designer Merch,
High Street/Designer Colab
Monday
Paperself: Look Into My Eyes...


Saturday
Shopping: Coggles
So when I come across sites like Coggles, they put a smile back on my face =)
I actually knew about Coggles before but attending their press preview this week reminded me why I love it so much. This site has pretty much EVERYTHING you could ever want. Cool designer brands such as McQ, Sam Elderman and Comme Des Garcons as well as vintage and even books. There's also a bike section coming soon, but my favourite part has to be the interior design section. Im in love with their snazzy pillows and wallpaper.



The fact that they also have a sweet style section is a cheeky bonus. Its not just a site, its a brand, it's a life style. "It's about the clothes you choose to wear, the bike you ride to work, the book you read in bed, you favourite chair at home, the world you design to live in."
It puts the fun back into shopping knowing that you're buying an investment and not a piece that every other Tom, Dick and Harry will own. Something that you will keep in your wardrobe for years to come and not a catwalk rip off made by some poor 10 year old child in India, that you're going to throw away in a months time. I know the economy sucks right now but Gok Wan take note.

Wednesday
Turning heads: Tomihiro Kono



On his website it says that he's style is based on Dadaism and Surrealism. He's also heavily influenced by a movement called 'assemblage expressionism' started after WWII, where 3-D compositions where created using found objects. I've always been a fan of vintage so the fact that he uses vintage materials is a plus in my books, as it makes his creations unique and eco-friendly at the same time.

Some of his pieces are available on trusty Not Just A Label.
Sunday
UPDATE: Rachel Boston.
Just a quick update to say that you can now buy Rachel's pieces (from my previous post) on Not Just A Label. Prices range from £250-£1,850. She's also added a new piece that wasn't ready yet when I did the original post and overall NJAL is a great site for new designers. Check it out.

Friday
Talented Friends: Rachel Boston






Im a sucker for accessories especially when it comes to jewellery so when I saw photos of my friends new collection, I knew I had to blog about it.
The whole collection is based on the Victorian dandy and their interest in insect collecting as this was a popular hobby with the Victorians due to the publication of 'Origin of the Species' by Charles Darwin and a fascination with natural history.
Rachel describes her jewellery pieces as "collectable hunting trophies" and has incorporated "real beetle wing cases into the jewellery to produce a medley of man-made and natural pieces where they blend seamlessly into one".
The collection is unisex as it contains aspects of masculine and feminine aesthetics. Due to the pieces not conforming to traditionally upheld standards, the jewellery is able to explore elements of the unexpected. When the pieces are worn on either sex the effect is dissimilar – a woman wearing the black pearl stag beetle necklace for instance, could surprise an observer with the ferocity of the piece. However, when the necklace is worn by a man, it appears to be much softer.
You can check out Rachel Boston's collection along with other Central Saint Martins BA Jewellery graduates from this Saturday until Thursday.
BA Jewellery 2011 degree show
Central St Martins
University of the Arts London
Southampton Row WC1B 4AP
Room 109, 1st floor
Saturday 18 June 12.00 – 18.00
Sunday 19 June - closed
Monday 20 – Wednesday 22 June 12.00 – 20.00
Thursday 23 June 12.00 – 18.00
Prices range from £200 to £800 for the biggest pieces. For more info and to contact Rachel visit her site.
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